“i finished touring for my last record about a year and a half ago, and pretty much immediately started working on this album,” moby recalls.
as such, innocents proves distinctively a piece with moby’s discography, while simultaneously pushing the artist born richard melville hall towards new challenges.
moby’s 11 th studio album to date proves an uncompromised, fully realized work from one of the most iconoclastic, innovative, individual forces in electronic music – or popular music, period. Indeed, that’s exactly what innocents entails. there’s no reason to second guess whether something’s going to sell well, or if a radio programmer is going to like it – so i can just make the record i want to make.” “that demise means that, as a 47-year-old musician, when i make a record, it’s simply because i love making records – i don’t expect commercial success.
“i guess i just accept that the music business has fallen apart,” says moby, describing the unexpectedly fruitful environment that spawned his upcoming album, innocents, set for release october.
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